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The Stake by Richard Laymon

June 19th, 2008

Originally Published June 30, 2006

"Shot through the heart and you’re to blame, darlin’ you give love - a bad name." - lyrics from You Give Love a Bad Name by Bon Jovi

I have to admit I’ve read a few books about vampires. I’ve seen a few movies featuring undead bloodsuckers. Hell, I’ve played a few games AS an immortal with a taste for precious fluid vital to human existence. Not to say I’m jaded, but it’d be hard to really shake me when it comes to vampires. Hardly anyone seems to get creative these days. It’s all such an established rut. Leave it to Richard Laymon to burst forth like a hand out of a coffin and pound one in just below the breastbone.

The central character in The Stake is Larry Durban. Larry’s a horror novelist. The moment I read this information within the first few pages, I had to choke back a scream of outrage and grip the book tightly in order to avoid tearing it into confetti because the book wasn’t mine, it was Red Hawk’s. So violent is my disgust - no, LOATHING - of the foul concept of "writer’s writing about what they know best: being writers" that I almost did not pursue the story past its opening pages. I absolutely despise it when Stephen King does it, to me it’s similar to a singer singing about singing or a painter painting a painting about painting. See how annoying that sentence was? Excellent. Then you get my drift.

Larry is a likeable guy and suspiciously like Richard who has crafted him, if you ask me. Larry has a daughter Lane and through the course of the book we get quite familiar with her. The relationship between Lane and Larry is a subplot, but it’s the sort of gripping subplot that Laymon is famous for. It actually adds depth and the way Laymon writes about the father-daughter dynamic seems to be straight from the heart. In fact, the way he writes about writing (grr..) is also quite candid. It all feels very realistic.

You know, typically in any given vampire tale, we’re confronted with the monster as either a terrifying beastial creature or a sulking victim of the universe at large. Goth or shock-rock, pick your genre. Well, good old Laymon is not about to let a little thing like "conventional techniques" stand in his way. Oh, no. We’ll have to wait a damned long time to get to know the vampire of The Stake. Trust me, though, you’ll like him. Or her. I’m being mysterious here.

The main issue that I had with The Stake is that it’s hard to put down. I missed meals, favorite television shows, it was a real mess. When I quoted Bon Jovi (as I often do in times of distress [edit: he's lying]) above, I mean it. You’ll fall in love with this book, but it will not be a sneaky little affair where your partner feels it’s probably ‘just a good friend’, no Laymon books are more like having your partner walk in as you’re unchaining your sweating adulteress from the bedposts and scrambling to figure out how to explain the bullwhip and all those stains on the new sheets. It’s a guilty pleasure, all right, but it’s a damned fantastic one!

I unilaterally refuse to offer any sort of hints as to what the story of The Stake is beyond what I’ve said already. The beauty of any Laymon book is discovering the story precisely as his writing intends for you to do. To even attempt to ’summarize’ the book would be along the lines of trying to explain the concept time to a four year old. I’ve actually done this so I can tell you from experience it’s frustrating and pointless. Just wait and learn.

Naturally, The Stake receives a 5 out of 5 in this review. Intelligent readers will agree wholeheartedly. The ignorant will perish, fools are soon parted from their money, etc. Do check this book out, it’s an incredibly worthy read.

So for now I leave. I shall return. In the meantime, I am GlowStormLion-http://www.sinminx.com and I’m uttering curses that will burn your soul to ashes. Thank you!

-- by GlowStormLion of http://www.happyhorror.com
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Monster Laboratory #5: Leprechaun Vampires

June 18th, 2008

This week’s been a real cooker down here in the dusty desert metropolis known as Phoenix, Arizona. All the heat’s serving up a wide variety of sweaty, fantastic ideas, some of which are best left until cooler moments to reconsider. Yet I feel this Wednesday’s Monster Laboratory may well leave a deep mark for its springs from the darkest childhood memories I posess. My deep fear of elves.

No laughing, Merry Readers, I’ve borne enough torture without the added burn of mockery, thank you. As a tiny tike I’d not really had the idea of elves fully explained to me. I’d not yet been exposed to Tolkien’s slender woodsmen variety and Keebler’s pint-sized cooks didn’t really register as elves. To me, elves took the form of tiny people, about the size of your average 3.5 inch action figure. However, the word "elves" sounded innately "evil" so I figured the truth about elves must be sinister.

 

A Merry Little Leprechaun Kicking Up His Heels
 

Darby O’Gill and the Little People didn’t help things out. I knew those "little people" were far too large to be accurate. In my pre-grade school ponderings I put together a portrait of elves as being the size mentioned above, as quick as mice but with the temperment of angry Gremlins. Viscious beings well-fed by our scraps having no other purpose that to hide until such time as they might spring from beneath your bed and attack, laughing in Kreuger-esqe fashion as they superglued the door shut so they could keep you in your bed room, attacking endlessly to the soundtrack of piercingly high-pitched cackles.

That’s probably why my parents didn’t let me drink pop after 5:00pm. My imagination respects no boundaries, Merry Readers, even in those single digit years my mind ran maverick. The tiny people might rig booby traps all about, use needles for spears and otherwise possess strength far superior to our own in terms of size to power ratios. Once I learned about the Irish legend on leprechauns, I realized I couldn’t be the only one who knew the true nature of tiny people. Leprechauns lusted after gold, told lies and made you search for special clovers that didn’t exist. The mythology mutated in my mind, growing darker, more terrible.

Maybe my parents began to see signs. When I began kindergarten, they forbid Lucky Charms as part of my nutritious breakfast, keeping me towards Raisin Bran or Wheaties, the choice always being mine. Because I knew Wheaties to be the breakfast of champions, I chowed down each morning in the hopes of maintaining the strength I’d need to fend off any incoming leprechauns.

Around first grade, a darker shadow overtook the leprechauns. I’d begun to stay up later and witness commercials for scary movies. Films featuring those fanged abominations known commonly as vampires. The terror struck deep and spawned a realization: the tiny people must be vampiric! That’s how they could be stomped, thrown against walls or pinned beneath heavy objects and never be badly injured! The day I made this connection a chill shot through me. Tiny undead leprechauns? Why, they’d be as close to invincible as any monster could possibly be!

And that is what I’ve revived in the Monster Lab this week: the bane of my childhood, Leprechaun Vampires. Now that I’m a real grown-up, I’m able to properly evaluate these childish fantasies and measure them against today’s standards. When I did that, I understood that little me came up with nothing short of pure brilliance. Not scary to you, yet? Allow me to elaborate, then.

Let’s use the setting of a movie. We’ve got a family consisting of a single mother and two young kids, a boy and a girl. They’ve gone through some hard times with mom’s old boyfriend which means they’ve lost their house and been forced to move into a large city so mom can be closer to work. Since she’s not even got a car at this point, she’s having to take the city bus. This means she’ll have to leave for work before the kids go to school and won’t get back until long after they’re home again. It’s the only way to pay the rent and the children, ages nine and eleven, fully understand.

Of course, these kids now have a whole bunch of alone time since a babysitter costs too much. They’re on the eighth floor of a massive old apartment complex which means they’ve got to pass any number of drunken bums or twitching crack addicts on their way up the creaking stairs to their apartment. These moments raise great fears, more for the older sister who’s aware of how dangerous people in this city can be. She hurries her brother to and from school, trying always to avoid speaking with anyone. Once they’re home they throw the locks and prop a chair against the door. From time to time they hear screaming, sirens and the occaisional seasoning of automatic gunfire. They try to drown it out with daytime television.

Life in old building’s usually feels spooky. There’s a haunting sense you get when you enter vast brick structures constructed a century ago. Thousands of people have lived, given birth and died within the walls of the Chesterfield Heights housing project. Constructed to house a booming population of impoverished city dwellers long ago, no one chooses to move into Chesterfield Heights. You go there when every other option’s been exhausted. As a result, the place reeks of despair, madness and the unique shade of bitter hatred poverty brings to the world. A setting that calls out to monsters who feed on those negative energies, nourished by suffering and sheltered by the fact that no one else in the city ever wants to investigate problems that go down in Chesterfield Heights.

The kids struggle to stay happy for mom who’s constantly exhausted by her day job. They never tell her about the scary things: the weird laughter that seems to come from the bath tub, the scurrying sounds in the heating vents or the numerous small items that disappear and re-materialize in their rooms almost daily. Little brother desperately wants to tell mom about the strange happening but older sister threatens him. She says mom doesn’t need the stress and that it’s probably rats doing all those things. She never seems to see the evidence he sees.

As winter sets in, the circumstances grow bleak and events ever stranger. Both children begin to wake each moring to tiny cuts in various parts of their bodies. Mom notices, but she says it may be fleas. Even though people aren’t allowed to have pets, many hide their cats. Plus, a great many stray cats sneak in when the outside doors get blown open at night. Fleas, she tells the children, promising to buy a powder to get rid of them as soon as possible. Little brother knows it’s not fleas. He’s awakened once in the middle of the night to see a small shadow creep across the bedroom floor. When he gasped, a tinkling sound of evil laughter came from that direction and the shadow vanished. He’s young enough to be terrified and old enough to realize no one will believe him if he tells what he saw. So he sets to work.

There we go, the perfect set up for the vampiric leprechaun movie. These things can disappear in a New York minute and fight meaner than New Orleans hooker! Sharp teeth, vision take allows them to see in complete darkness and being so miniscule, they need only small quantities of blood at any given time. In fact, in the Chesterfield Heights basement they farm rats to use as a back up supply, milking them for blood whenever there’s danger of them being discovered. Through a network of sewers and other pipes they’ve got something of an infrastructure. Groups trade with other groups, warning each other of any incoming danger of humans discovering them.

Always, the leprechaun vampires stick to isolated targets. Children left alone, single people with no social lives or even the elderly. They prey on those who haven’t got the ability to call in back-up. They thrive on the terror they’re able to evoke from their victims. They’re also nearly impossible to kill. They can hold their breath for hours (allowing them to ride through pipes in your house), be run over by cars and come out unscathed - even a grown man of tremendous strength could not close his fist around any but the weakest LV.

 

A flamethrower is the perfect weapon for fighting<br />
Leprechaun Vampires!
 

They fear two things, bullets and fire. Good luck hitting one with a bullet though, you’ve got better odds of knocking down a squirrel as it’s charging you and since they stick to indoor areas, you’re basically NOT going to hit them. Stick to fire. It’s cleansing properties cause the LV’s to tremble with terror. The pure heat utterly destroys them and they cannot revive themselves from a pile of ashes. Even candles scare them off fairly effectively. The only way to deal with an LV infestation is to firebomb the place. This also gives our movie series the chance to showcase awesome pyrotechnics which audiences adore!

Promotional gimmicks? Yes, I’ve thought of that, too! Action figures, Merry Readers, the Leprechaun Vampire action figure line would be a hot seller. Take a piece of the tiny terror home with you! In fact, an Asian variant could arrive during the opening scenes of the movie. Imagine a child purchasing an action figure, pleased as peaches with his new toy. He’d never notice the fact that it occaisionally moved, but we viewers would. We’d know that given the chance that LV would chew through the packaging and be free to rampage. Entire colonies of them sneaking into Hong Kong toy factories and disguising themselves as the latest, most popular must-have figures of the day. Then once they arrived in the stores, freeing themselves in their new city and setting up homes. Watch out, Wal-Mart, you’ll spread the undead plague!

Now comes the call to action. It’s your job to find the producers, directors and actors needed to get this show on the big screen. Leprechaun Vampires promise to re-invent cinematic horror. Nothing’s scarier than a little evil - there’s your tag line!

Until next I present you with a startling horrific Hollywood revolutionary, this has been GlowStormLion reminding you that it’s never to late to burn your home to the ground for safety’s sake.

-- by GlowStormLion of http://www.happyhorror.com
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Vampiyaz on DVD

May 2nd, 2008
Originally published: May 28, 2006 @ 11:53pm PST
 
Vampiyaz on DVD
 

Have you ever been to one of those parties where the booze and um… other hedonistic substances far outweighed any organized entertainment? The kind of party which you may not remember much of the following morning except in brief snippets? The sort of event where friendships are forged or social bonds made that much stronger between people who otherwise might (and probably do not) have anything in common?

Yes, I’m talking about college or for some of us, high school. Many of these nights invite us all to take part in a game of limbo where we see just how low we can go before we pass right out despite the atmosphere of unbridled revelry. Thankfully for me, during my college years cellphone cameras and MySpace were not yet prevalent.

Perhaps you’re wondering how in the world this could possibly have anything to do with the noble film of ghetto vampires.. er, excuse me: Vampiyaz.

Well, friends, I find it to be not only a perfect metaphor for this movie but also precisely the sort of movie that, in my personal experience, has often been shown at these events. It may not displace Evil Dead, but it could certaintly make a fine pinch hitter to be picked up by the last guy or gal who’s still somewhat sober and is going to have to pick up the pizza anyways. Yet, I digress.

Vampiyaz tells the story of Jakeem (played by Richard Carroll, Jr.), a safe-cracker from the ghettos of… well, actually I’m not sure just where he’s from. Trust me, though it doesn’t matter. This is not the kind of DVD one picks up to enjoy a touching tale of the human condition. No, this is the sort of feature that you turn to when you got to the video store just a wee bit too late to have much choice in what you’ll rent.

Maybe you think I’m dissin’ the movie, but that’s simply not true. I’ve always thought that the concept of gangsta vampires would be interesting and alot of fun. While Vampiyaz isn’t quite what I had in mind it’s actually not so bad in a certain light. Carroll does an admirable job in his debut as an actor and I feel many people who’ve reviewed this film overlook that entirely. It’s not easy to give even a halfway decent performance in the face of the sort of low-budget amateurish filmmaking that’s exhibited here. After attempting to write/direct a few films not far from this caliber, I should know.

There really are moments when, even sober, he drew me into the storyline. He’s the primary anchor in the pulley that’s attempting to perform the suspension of disbelief. Yes, the special effects are well, ineffective. Yes, there are more plot holes here than in my precious hoodie I’ve cherished for the past 8 years and adamently refuse to throw away. Yes, the sound is of the quality that would embarass a middle-school punk band. Yet, I must once again point out that this IS. NOT. THE. POINT.

No one picks up a straight-to-video DVD entired Vampiyaz and expects an epic masterpiece of urban supernatural struggle. If they do, in my view, they’ve got no right to complain. I consider this a form of honesty from the writer/director, Z. Winston Brown about his one and only film. This is a good-times, full-blast party movie that does not need to be analyzed to be enjoyed. No pretension is pretended here nor does it devolve (too much) into preaching. It’s not going to scare you or tug at your heart strings but it will provide some laughter and allow everyone to point out all the many errors that exist throughout it’s 83 minutes of running time.

This’ll let everyone feel much better about themselves that they and that they could’ve made a much better movie… even though they’ve never attempted to do so. ;-) By the way, I *still* think the gangsta vampire thing is a way good idea so if you know of any films like this let me know. As for Vampiyaz, keeping things in the context I’ve laid out here, I’ll have to award a 5 out of 5.

-- by GlowStormLion of http://www.happyhorror.com
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